Aurora Member Events
Aurora Theatre Company Members:
Click here to access Aurora's Membership portal
Your membership includes Aurora performances every month, even while our stages are dark. This month we have The Flats, our world premiere audio drama. In November, we're bringing you a reading of a remarkable new play that would have made its world premiere in our 2020-2021 Season — Kait Kerrigan's Father/Daughter. Later in the season, we'll present another audio drama, more readings of new plays, and special events that might include music and magic.
Tell Tale Hearts | NOVEMBER 28, 2020 | 7 pm
An Evening of Hip Hop Theatre Featuring Carlos Aguirre and The Bay Area Theatre Cypher
|TELL TALE HEARTS
The Bay Area Theatre Cypher and Carlos Aguirre return to Aurora for the final iteration of TELL TALE HEARTS: An Evening of Hip Hop Theatre. Featuring an eclectic mixture of actors, rappers, poets, and hip hop theatre artists of all descriptions, the Bay Area Theatre Cypher is a freestyle rap collective joined on Aurora's virtual stage by Carlos Aguirre (AKA Infinite) for an evening of intelligent, politically-conscious, locally-sourced, community-minded rap, slam poetry, beatboxing, and hip-hop theatre. The performance will feature Aguirre's rap and beatbox adaptation of Edgar Allen Poe's The Tell-Tale Heart along with a unique blend of improvised freestyle rap and original compositions. Aurora Theatre Company is thrilled to present this performance that takes its stand at the crossroads of theatre, hip-hop, and community.
|Carlos Aguirre A.K.A. INFINITE (actor, musician, vocal percussionist, educator), has been performing both as an actor and hip hop artist in the Bay Area for over 19 years. He has shared the stage with The Roots, Erykah Badu, Black Eyed Peas, Mary J. Blige, Jam Master Jay, L.L. Cool J, Macy Gray and George Clinton among others. He his currently producing his original rap and beatbox adaptation of Edgar Allen Poe’s The Tell Tale Heart. Carlos shares his experience by teaching at various schools and at-risk environments throughout the Bay Area.|
|Dan Wolf is a rapper, playwright, director, actor, and teacher. His work crosses artistic and cultural borders to combine theatrical performance with the themes, language, music, history, politics, and aesthetics reflected in the hip hop generation. He recently featured on the Undercover Presents tribute album to A Tribe Called Quest’s “Midnight Marauders.” As part of the Resident Playwrights Initiative at the Playwright Foundation, Wolf is developing Curren$y - a theatrical rap show inspired by Shakespeare’s Merchant of Venice. As the Artistic Director of Sound in the Silence, Wolf works with an international group of partners, artists, students, and participants to create immersive performance experiences at locations such as memorial sites and community centers.|
|Phil Wong is an actor, director, comedian, musician, teaching artist, and rapper born and raised in the Bay Area. He’s a resident artist with the San Francisco Shakespeare Festival, and his influences range from MF DOOM to Guo Maoqian, Slim Shady to Stephen Sondheim. Wong’s recent stage credits include Cutting Ball Theatre, Shotgun Players, Word for Word, Killing My Lobster, Ray of Light, and TheatreWorks.|
FATHER/DAUGHTER | Reading | November 14, 2020 | 5 PM
Two actors play both pairs of lovers in this structurally inventive play that asks how our relationships with our parents and children impact our romantic lives. In parallel stories told 23 years apart, Baldwin is Miranda’s 30-year-old divorced father who is trying to forge a new relationship with a beguiling woman, and Miranda is Baldwin’s 30-year-old daughter, who has found herself in her first serious relationship. What can we learn from the relationships we choose in order to repair the relationships we inherit? Written by Kait Kerrigan and directed by M. Graham Smith.
Poster artwork by Elizabeth Lada.
|Kait Kerrigan (Playwright)
Kait Kerrigan is a playwright, lyricist, and bookwriter. Off-Broadway: The Mad Ones, Henry and the Mudge, and Rosie Revere, Engineer, and Friends. Her work has been developed and performed internationally. Her plays include Disaster Relief, Imaginary Love, Transit, and We Have to Hold Hands. Other musicals include Republic, Unbound, and The Bad Years, an immersive house party. Awards, fellowships, and residencies include the Kleban, Larson, Dramatists Guild Fellowship, I-73 Writer’s Group, Lark Playwright’s Week and Winter Retreat, and MacDowell. Kerrigan is an alumna of Barnard College, and a member of ASCAP, the Dramatists Guild, and founding member of NewMusicalTheatre.com. For more information, visit www.kerrigan-lowdermilk.com.
|M. Graham Smith (Director)
M. Graham Smith is a San Francisco-based Director, Educator and Producer. He has been an O’Neill/NNPN National Directing Fellow, Oregon Shakespeare Festival FAIR Fellow and is a proud Resident Artist at SF’s Crowded Fire. He grew up outside of New York City and has been based in San Francisco for the last fourteen years. He’s directed in New York City, Philadelphia, Los Angeles, Portland Oregon, Washington DC, and venues in San Francisco. He directed the West Coast Premiere of Jerry Springer: The Opera in SF and Truffaldino Says No at Shotgun Players, winning Best Director for the Bay Area Critics Circle. Recent credits include the World Premiere of Obie winner Christopher Chen’s Home Invasion in SF, Deal with the Dragon at ACT’s Costume Shop & Edinburgh Fringe, Mia Chung’s You for Me for You at Crowded Fire, and James Ijames’ WHITE at Shotgun. He spent five years as Producer of Aurora Theatre’s new play development program and festival The Global Age Project. He teaches in A.C.T.'s actor-training programs, Berkeley Rep School of Theatre and at Barcelona’s premiere Meisner Technique program in Spain. You can visit him online at www.MGrahamSmith.com
|William Thomas Hodgson (Baldwin/Louis) is a acting company member at the Oregon Shakespeare Company where he has played: Demetrius in A Midsummer Night's Dream; Malcolm, Macbeth; Stokes, How to Catch Creation; Romeo, Romeo and Juliet; Dumain, Love’s Labor’s Lost. Locally, his work has been seen at a number of theatres: Dr. Fowler Greenhill in It Can’t Happen Here (Berkeley Rep); Silvius in As You Like It (California Shakespeare Theater); James Hemmings in Thomas and Sally (Marin Theatre Company), Charlotte in I Am My Own Wife (Ubuntu Theater Project); Eamon Jameson in Calligraphy (TheatreWorks); Cat in the Hat in Seussical the Musical (Berkeley Playhouse). HIs regional credits include: BJJ in An Octoroon (Mixed Blood); Disney’s The Hunchback of Notre Dame (La Jolla Playhouse), El Jonny in El Henry (La Jolla Playhouse/San Diego Repertory Theatre); Puck (understudy) in A Midsummer Night’s Dream (PCPA); Bart Simpson in Mr. Burns, a Post-Electric Play (UCSD); Louis in Angels in America (Santa Fe University of Art and Design). William is the Co-Founder of Ubuntu Theater Project, and was awarded the BroadwayWorld Award for Best Actor and a Bay Area Theatre Critics Circle Award for Best Actor and Outstanding Direction. He has an MFA in Acting from UCSD and has trained SFUAD and PCPA.
|Jeunée Simon (Risa/Miranda) has worked with Central Works Theater Company, Berkeley Repertory Theatre, American Conservatory Conservatory Theater Company, TheatreFIRST and more amazing theaters in the San Francisco Bay Area. Simon is a proud recipient of the 2017 RHE Artistic Fellowship. She is a believer in the collaborative nature of original plays and has been honored to be part of the new and emerging work being developed in the Bay Area. Jeunée is a graduate of Stanford University's drama program. Her family hails from Guyana and immigrated to the US when she was 4 years old.|